kutsuwamushi: (don't make me come back there)
[personal profile] kutsuwamushi
See if you can spot the pattern:

In Cameron's Avatar, Jake Sully, an outsider, becomes the champion of the Na'vi, and fights for them against his own people.

In Frank Herbert's Dune, Paul Atriedes, an outsider, joins the Fremen and becomes their tragic messianic figure.

In Robin Hobb's Shaman's Crossing trilogy, Nevare Burvelle, an outsider, becomes magically connected to the Specks, a people who are under attack by his government's attempt to build a road through their land.

In more Star Trek episodes than I can name, the crew of the Enterprise, outsiders, discover that their influence on cultures that they meet is doing them harm.

...

Okay, I'm sure you can spot more than one pattern here, but what I'm getting at is from whose perspective these stories are written. The protagonists are all part of the dominant culture in their universes, and the story of the marginalized culture whose struggle they join is told through their eyes.

Even when the setting is totally invented, when authors have the most freedom, this pattern is still everywhere. I know I'm not pointing out anything new.

Summer is coming up soon, which means that I have time to read books. But instead of reading more of the same, I'd like to read science fiction or fantasy stories where the other viewpoint is the neutral one.

So, does anyone have recommendations? I'm especially interested in stories where both cultures are invented.

[I erased and rewrote several times a tangent about how this is a subset of outsider stories, which don't always involve a conflict with the outsider's culture. Harry Potter would be a different story if the protagonist was a member of Wizarding culture to begin with; Harry's outsider perspective introduces Muggle readers to the Wizarding world with a sense of wonder.

But it's worth asking why one culture is viewed from the outside and the other from the inside so frequently when that conflict does exist. The benefits of an "outsider perspective" can carry their own assumptions, including that the marginalized culture, often "inspired by" real-world cultures, is the one that is the most exotic and most needing to be explained from the outside.]

Date: 2010-04-24 06:39 pm (UTC)
marina: (Default)
From: [personal profile] marina
Ursula LeGuin's "Four Ways to Forgiveness" is a collection of 4 short stories set in the same universe that deals precisely with things like this. She comes from an anthropological perspective and so each of her stories is subverting the powerful culture/powerless culture and the outsider privileged narrator. One story is told by a former slavegirl, one by a guy from a tiny, bizarro-to-the-reader culture who spends most of his life in cultures that are extremely similar to ours today, one has a POV switch between a privileged outsider and a not-so-privileged local telling the same story... and I love the book besides, because I just find it's exceptionally well written. :)

Date: 2010-04-24 08:43 pm (UTC)
whizzy: (Default)
From: [personal profile] whizzy
CJ Cherryh's Foreigner series is sort of the anti-thesis of this trope. The lone outsider comes from the "weaker" culture, which only exists by the mercy of the dominant alien culture on the planet. Fun times.

Date: 2010-04-25 01:02 am (UTC)
lady_ganesh: A Clue card featuring Miss Scarlett. (i should read more)
From: [personal profile] lady_ganesh
I don't know if you've read the Xenogenesis/Lilith series by Octavia Butler, but the first book is written from the perspective of the invaded-- Lilith is a human in a world that's been taken over by aliens. So it's a little bit outsider, but also a bit of 'from the perspective of the invaded.'

Profile

kutsuwamushi: (Default)
kutsuwamushi

June 2023

S M T W T F S
    123
45678910
11121314151617
181920 2122 2324
25 2627282930 

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 7th, 2025 11:43 pm
Powered by Dreamwidth Studios